Like A Thief
In The Night

Anna; XVIII, ENFP

"And we swagger because we do not know how to part with our rage, which we cherish and press cutting close, but we learn to swagger — or rather, we’re swaggered, briefly, while the wind blows and things burn and our hands are full — because we know it darkly all the same."

artchipel:

Artist on Tumblr

James Fenner | on Tumblr (USA)

James Fenner is a freelance illustrator who has studied Media Art and Animation at The Art Institute Of Portland, in Oregon. His illustration is a harmonious mix of graphite and digital techniques, distinguished by its dreamlike approach and whimsical sets. Fenner is an aspiring editorial illustrator, most of his pieces tell their own tale, and the characters he depicts are more protagonists of a larger story than simple subjects. (cf. Fresh&Bold)

© All images courtesy of the artist

[more James Fenner | artist found at septagonstudios]


12-year-old Sharbat Gula, Afghan Girl, photographed by Steve McCurry, Pakistan, 1984 (via)

12-year-old Sharbat Gula, Afghan Girl, photographed by Steve McCurry, Pakistan, 1984 (via)


Londoners dancing to Cy Laurie’s band at an all-night jazz session c. 1950s

Londoners dancing to Cy Laurie’s band at an all-night jazz session c. 1950s

Something wicked this way comes
fashion-runways:

Ziad Nakad Haute Couture Spring/Summer 2014

fashion-runways:

Ziad Nakad Haute Couture Spring/Summer 2014

digbicksDetails, Justin Barton

its-minimal:

Ashleigh Good by Sebastian Faena for CR Fashion Book #4 wearing Givenchy

its-minimal:

Ashleigh Good by Sebastian Faena for CR Fashion Book #4 wearing Givenchy

Hollywood always represents this big dream and fairy tale in people’s minds, but to me, it’s just hard work. Of course, we play fairy tale on the red carpet. It’s all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it’s over. That’s Hollywood. - Olga Kurylenko

Carmen Free Dance (2013)

Before the 2012-2013 season started, a traditional Carmen program was choreographed for Tessa Virtue and Scott Moir by their coach Marina Zoueva. It was scrapped, and Jennifer Swan was brought in for additional choreography. The product was Virtue and Moir’s most brilliant free dance and arguably, the most complex this quad.